London, The Burlington Magazine, 2013. Cm. 31x23, pp. viii-525/588, figg. a col. e in nero n. t., br.
Sommario:
Alberto Maria Sartore, Perugino's contract for the Collegio del Cambio frescos; Giacomo Berra, Cardinal Federico Borromeo and the choice of painters to fresco the Collegio Borromeo at Pavia; Giovan Battista Fidanza, A rediscovered altarpiece by Pietro da Cortona and insights into the collaboration between the master and his pupils; Giorgia Mancini, History of a fake: The Virgin and Child with an angel after Francesco Francia in the National Gallery, London; Linda Bauer and Nello Barbieri, Mattia Preti's S. Vigilio altarpiece: a Postscript.
