The Burlington Magazine

London, 2001. In-8¡, pp. xvi-665/728, figg. a col. e in nero n. t., br.
Sommario: A. Wunder, Murillo and the canonisation case of San Fernando, 1649-52 J.B. Bullen, Sara Losh: architect, romantic, mythologist G. De Wallens, Corot as a copyst at the Louvre, and new evidence on his technique S. Kelly, ?Ferme dans les Landes?: a re-discovered painting by Th?odore Rousseau A. Luxenberg, Buenos d?as, Se?or Courbet: the artist's trip to Spain.

London, 2002. In-8¡, pp. xii-201/264, figg. a col. e in nero n. t., br.
Sommario: J. Hedley, Charles de La Fosse's ?Rinaldo and Armida? and ?Rape of Europa? at Basildon Park C. Frank-U.D. Mathies and A.L. Poulet, Diderot, Guiard and Houdon: projects for a funerary monument at Gotha I C.K. Snay, Drawings for an unexecuted monument to Louis XVI L. Johnson, Two Orientalist water-colours by Delacroix K. Sciberras, ?Frater Michael Angelus in tumultu?: the cause of Caravaggio's imprisonment in Malta R. Gibbs, The dating of the Coccarelli leaves in the British Library.
Riviste: si

London, 2003. In-8¡, pp. xii-757/828, figg. a col. e in nero n. t., br.

Sommario: M. Israels, Sassetta, Fra Angelico and their patrons at S. Domenico, Cortona A.A. Witte, Liturgy, history and art: Domenichino's Cappella dei Santi Fondatori P. Humfrey, The patron and early provenance of Titian's ÔThree ages of manÕ B. Sorensen, Piranesi, Grandjacquet and the Warwick Vase.
Riviste: si

London, 2004. In-8¡, pp. 513/584, figg. a col. e in nero n. t., br.
Sommario: J.A.A. Goodall, A medieval masterpiece: Herstmonceux Castle, Sussex J. Connors and A. Roca De Amicis, A new plan by Borromini for the Lateran basilica, Rome G. Higgott, The revised design for St Paul's Cathedral, 1685-90: Wren, Hawksmoor and Les Invalides B. De Maria, The patron for Pordenone's frescos on Palazzo Talenti d'Anna, Venice T. Brittain-Catlin, A.W.N. Pugin's scheme for Hornby Castle, Yorkshire.
Riviste: si

London, 2006. In-8¡, pp. xx-657/730, figg. a col. e in nero n. t., br.
Sommario: S. Salort-S. Kubersky-Piredda, Art collecting in Philip II's Spain: the role of Gonzalo de Lia?o, king's dwarf and Gentleman of Bedchamber: part I J. Beechey and R. Shone, Picasso in London, 1919: the premi?re of ?The Three-Cornered Hat? C.B. Strehlke, Lorenzo Monaco and Gentile da Fabriano.

J. Miller-L. Taylor-Mitchell, Donatello's 'S. Rossore', the Battle of San Romano and the church of Ognissanti.

M. Cacho Casal, Gonzalo Argote de Molina and his museum in Seville.
Riviste: si

London, 2008. In-8¡, pp. xx-221/292, figg. a col. e in nero n. t., br.
Sommario: E. Shanes, More art on the line: the Royal Academy's Antique Room in the exhibition of 1792 S. Whitfield and L. Inglis, William Scott's war J.-P. Stonard, The ÔBunkÕ collages of Eduardo Paolozzi K. Downes, Wren, Hawksmoor and Les Invalides revisited N. Hardwick, Ancient Jewish coins in the work of William Holman Hunt R. Daniels, Walter Richard Sickert's ÔEchoesÕ from the London JournalÕ.
Riviste: si

London, 1998. In-8¡, pp. xix e da pag. 297 a 360, ill. a col. e in nero n. t., br.
Sommario: R. Spencer, Whistler's 'The White Girl': painting, poetry and meaning B. Harvey, C?zanne and Zola: a reassessment of 'L' Eternel f?minin' M. Le C?ur, A drawing of Renoir in 1866 J. Collins, The Identity of Bastien Lepage's 'Girl with a sunshade' at the Fitzwilliam R. Verdi, A newly discovered portrait by Andr? Derain
Riviste: si

London, The Burlington Magazine, 2012. Cm. 31x23, pp. xvi-80, figg. a col. e in nero n. t., br.

Il numero è integralmente dedicato alla pittura veneziana del Cinquecento e del Settecento, con contributi su Tiziano, Paolo Veronese (ciclo della chiesa di San Sebastiano), Bernardo Bellotto (soggiorni a Firenze e Dresda) e sui dipinti appartenenti a questa scuola già nella collezione di Richard Worsley.

London, The Burlington Magazine, 2012. Cm. 31x23, pp. xii-81/168, figg. a col. e in nero n. t., br.
 

Fascicolo monografico sulla pittura del nord-europa compresa fra il XV e il XIX secolo. I contributi riguardano: il Maestro di Santa Veronica, operoso nella Colonia del Quattrocento; Adam de Colonia, Cesar van Everdingen, Dirck De Bray, Carel Fabritius, Caspar David Friedrich, disegnatore e acquerellista; Vincent Van Gogh.

London, The Burlington Magazine, 2012. Cm. 30x23, pp. xxxvi-169/232, figg. a col. e in nero n. t., br.

I contributi compresi nel fascicolo sono incentrati su: Daniel Nijs e Lord Arundel, François Lemoyne, Salvator Rosa, Douglas Cooper, Robert Rauschenberg, Roger Hilton.

London, The Burlinton Magazine, 2012. Cm. 31x23, pp. xx-233/308, figg. a col. e in nero, br.

I contributi presenti nel fascicolo sono interamente dedicati all'arte francese dell'Ottocento. Fra gli artisti presi in esame: Pierre Chasselat, Augustin Dumont, Honoré Daumier, Jean-Léon Gérome, Adolphe Bouguereau, Edouard Manet, Maurice Denis, Edgar Degas.

London, The Burlington Magazine, 2012. Cm. 31x23, pp. xvi-309/384, figg. a col. e in nero n. t., br.

Sommario:
R. Green, Paul Sandby's young pupil identified.
D: Stacey, Cotman's aqueduct.
A. Wilton, Post tenebras lux: J.M.W. Turner, James Wyatt and the importance of stained glass.
C. Payne, "A mild, a grateful, an unearthly lustre": Samuel Palmer and the moon.
S. Owens, "Ecorché" drawings by Edwin Landseer.
A. Eden, Robert Anning Bell in Liverpool, 1895-99: the Arts and Crafts movement and the creation of a civic culture.

London, The Burlington Magazine, 2012. Cm. 31x23, pp. xxviii-385/464, figg. a col. e in nero n. t., br.

Sommario:
Michael Hall, A splendid and probably Unique Pebble: the Benetier de Charlemagne.
Sarah M. Guerin, An ivory Virgin at the Metropolitan Museum, New York, in a Gothic sculptor's oeuvre.
Laura Jacobus, The tomb of Enrico Scrovegni in the Arena Chapel, Padua.
Karl-Georg Pfandtner, A newly discovered Psalter illuminated by Cristoforo Cortese.
Jean Michel Massing and Aurélie Petitot, In the frame: Gert van Lon, C.R. Ashbee and the Chapel of King's College, Cambridge.
Anders Bengtsson, Helena Kaberg, and Cilla Robach, Swedish interiors in Paris, 1925.

London, The Burlington Magazine, 2012. Cm. 30x23, pp. xx-673/752, figg. a col. e in nero n. t., br.

Sommario:
Elizabeth Clegg, War and peace at the Stockholm Austrian Art Exhibition of 1917.
John Rolfe, Harold Gilman's Halifax Harbour (1918): A wartime Canadian episode.
Anne Blood, The Russian section of the Machine-Age Exposition (1927).
Fanny Singer, Richard Hamilton's Chiara & chair.
Colin B. Bailey, In the same order, but... stronger than ever: the new Barnes Foundation in Philadelphia.
Xavier F. Salomon, Veronese's skies in S. Sebastiano.
Mark Evans, Veronese's portrait of Sidney.

London, The Burlington Magazine, 2012. Cm. 30x23, pp. xxviii-753/824, figg. a col. e in nero n. t., br.

Sommario:
Anne Markham-Schulz, Matteo Raverti and Jacopino da Tradate.
Christina Neilson, Rediscovered photographs of two terracotta modelli by Verrocchio.
Alison Luchs, Shelley Sturman and Katherine May, A statuette from the workshop of Leonardo da Vinci.
Marjorie Trusted, Two eighteenth-century sculpture acquisitions for the Victoria and Albert Museum, London.
Gauvin Alexander Bailey, French Rococo prints and eighteenth-century altarpieces in Buenos Aires.
Melanie Vandenbrouck-Przybylski, Revealing Rodin.
James David Draper, A new sighting of Michelangelo's Young Archer.
Christiana Payne, Brett and Constable.
 

London, The Burlington Magazine, 2012. Cm. 30x23, pp. xx-825/880, figg. a col. e in nero n. t., br.

Sommario:
Gianni Papi, Artemisia Gentileschi's Suffer the little children to come unto me.
Julian Luxford, The iconography of Saint Edward II.
Anthony Wells-Cole, Scissorsa-and-paste in two paintings of Elizabeth I.
Andrea van Houtven, More on Pissarro's Four seasons.
Ed Lilley, A rediscovered English review of the 1874 Impressionist exhibition, 1874.

London, The Burlington Magazine, 2012. Cm. 31x23, pp. xvi-68, figg. a col. e in nero n. t., br.

Sommario:
Jill dunkerton-Jennifer Fletcher-Paul Joannides, A portrait of Girolamo Fracastori by Titian in the National Gallery.
Burton Fredericksen, Titian's Barbarigo portrait and Lord Darnley.
Ana Debenedetti, A recently identified painting by Tintoretto in the Victoria and Albert Museum.
Dillian Gordon, Two newly identified panels from Mariotto di Nardo's altarpiece for the Da Filicaia chapel in S. Maria degli Angeli, Florence.
Meghan Callahan, Giambologna's rented house in Florence.

London, The Burlington Magazine, 2013. Cm. 31x23, pp. 69/148, figg. a col. e in nero n. t., br.

Summary:
Pieter Biesboer, The identification of a family portrait by Frans Hals recently acquired by the Toledo Museum of Art.
Carina Fryklund, Jan Lievens's "The Apostle Paul at his writing desk".
Koenraad Brosens, The final convulsions of Brussels tapestry: "The legend of the miraculous Host", 1769-85.
An van Camp, Robert Dighton and his spurious collectors' marks on Rembrandt prints in the British Museum, London.
Felix Kramer, The rediscovery of Vilhelm Hammershoi: two recent acquisitions in New York and Frankfurt.

London, The Burlington Magazine, 2013. Cm. 31x23, pp. 149/216, figg. a col. e in nero n. t., br.

Summary:
Matthias Wivel, A new drawing by Titian.
Ann Sutherland Harris, Nicolas Poussin's Juno, Argus, Io and Mercury in a landscape in Berlin: a preparatory study and new date.
Perrin Stein, Greuze's L'Accordée de village: a rediscovered première pensée.
Genoveva Tusell Garcia, Picasso, a polical enemy of Francoist Spain.
John Paul Stonard, Cézanne and the past.

London, The Burlington Magazine, 2013. Cm. 31x24, pp. xvi-217/300, figg. a col. e in nero n. t., br.

Sommario:
Philip Lindley, Peter Mathias Van Gelder's monument to Mary, 3rd Duchess of Montagu, in St Edmund's, Warkton, Northamptonshire.
Nicholas D. Nace, Baroque in England.
Susan Sloman, Gainsborough's Blue boy.
Carol Christensen and Eleonora Luciano, The evolution of Gainsborough's portrait of Elizabeth Sheridan.
Allen Staley, Benjamin West, Raphael West and the floating batteries.
Leslie M. Scattone, New information on Lawrence's Portrait of Joseph Henry.
Peter Harrap and Shan Lancaster, John Constable's house in Brighton.
Wendy Baron, Walter Sickert: recent discoveries.

London, The Burlington Magazine, 2013. Cm. 31x23, pp. xii-301/368, figg. a col. e in nero n. t., br.

I contributi del presente fascicolo, incentrato sulla pittura francese e inglese sette-ottocentesca, riguardano i seguenti artisti: Antoine Pesne, Jean Honoré Fragonard, Gavin Hamilton, Hubert Robert, Eugene Fromentin, Jean Auguste Renoir.

London, The Burlington Magazine, 2013. Cm. 31x23, pp. xxviii-369/448, figg. a col. e in nero n. t., br.

Sommario: Jan de Hond and Frits Scholten, The elk antler from the funerary chapel of Louis the Pious in Metz; John Munns, Relocating the Cloisters Cross; Teresa Leonor M. Vale, Roman Baroque silver for the Patriarchate of Lisbon; Eileen Harris, A tale of two tables; Tim Stanley, New Islamic Galleries; Celina Fox, The new Kunstkammer, Kunsthistorisches Museum, Vienna; James Beechey, On and off the wall: British murals in the twentieth century.

London, The Burlington Magazine, 2013. Cm. 31x23, pp. viii-449/524, figg. a col. e in nero n. t., br.

I contributi di questo fascicolo riguardano i seguenti argomenti: James Whistler, Vincent van Gogh, la collezione di pittura cinese della collezione Wegener e la sua acquisizione da parte del Britiish Museum; L'esposizione di arte futurista italiana a Londra nel 1912; Helen Sutherland.

London, The Burlington Magazine, 2013. Cm. 31x23, pp. viii-525/588, figg. a col. e in nero n. t., br.

Sommario:

Alberto Maria Sartore, Perugino's contract for the Collegio del Cambio frescos; Giacomo Berra, Cardinal Federico Borromeo and the choice of painters to fresco the Collegio Borromeo at Pavia; Giovan Battista Fidanza, A rediscovered altarpiece by Pietro da Cortona and insights into the collaboration between the master and his pupils; Giorgia Mancini, History of a fake: The Virgin and Child with an angel after Francesco Francia in the National Gallery, London; Linda Bauer and Nello Barbieri, Mattia Preti's S. Vigilio altarpiece: a Postscript.