London, The Burlington Magazine, 2013. Cm. 31x23, pp. xx-589/656, figg. a col. e in nero n. t., br.
James Lawrence, Confronting the present museums in Los Angeles; Elizabeth Cowling, What the wallpapers say: Picasso's papiers collés of 1912-14; Sarah Whitfield, Unpublished letters from René Magritte to Pierre Flouquet: 1920-21; Sam Rose, The visual arts in the BBC's The Listener, 1929-39; Rebecca Daniels, Henri Matisse's stained-glass window La Rosace (1954); Timothy Bond, A reconsideration of Roger Hilton's September 1963 (Figure and bird).
London, 2014. Cm. 31x23, pp. xx-72, figg. a col. e in nero n. t., br.
Giovanni Santucci, Federico Brandani’s paper model for the Chapel of the Dukes of Urbino at Loreto.
London, 2014. Cm. 31x23, pp. xx-73x144, figg. a col. e in nero n. t., br.
Chris Michaelides, Brussels: ends and new beginnings.
Jeanne Nuechterlein, German Renaissance art through the eyes of the National Gallery.
Stijn Alsteens, A note on the young Van Dyck.
Martin Bijl and Wouter Kloek, A painting re-attributed to Aelbert Cuyp: connoisseurship and technical research.
Christian Tico Seifert, Pieter Lastman’s ‘The Good Samaritan’ rediscovered.
Quentin Buvelot and Blaise Ducos, A rediscovered portrait by Frans Hals.
Marjorie Trusted, Maria Faydherbe: a seventeenth-century sculptor in Mechelen.
Marije Osnabrugge, New documents for Matthias Stom in Naples.
London, 2014. Cm. 31x23, pp. xvi-289/352, figg. a co. e in nero n. t., br.
Richard Shone, Kenneth Clark.
James R. Jewitt, Eliza Fortuna: reconsidering the Ditchley portrait of Elizabeth I.
Malcolm Baker, Henrietta Finch, sculptor?
Hugh Belsey, New documents by Thomas Gainsborough.
John Orbell, A friend in need: Thomas Lawrence and the Baring family.
Nancy Langham Hooper, The Pre-Pre-Raphaelite: John Rogers Herbert.
London, 2014. Cm. 31x23, pp. xx-569/636, figg. a col. e in nero n. t., br.
Angela Wright, John Lavery: an intrepid war artist.
Barbara Pezzini, Eye-witness accounts and silent dissent: The Burlington Magazine during the First World War.
Erika Langmuir, Stanley Spencer and the Acts of Mercy - a suggested additional source for the Sandham Memorial Chapel.
Elizabeth Clegg, Austria-Hungary's War: the 1914-18 Centenary in Vienna.
London, 2014. Cm. 31x23, pp. xxiv-68, figg. a col. e in nero n. t., br.
Doris Carl, New documents for Piero di Cosimo's portrait of Francesco di Bartolo Giamberti.
Marie Noelle-Grison, A newly discovered bust of a woman by Jean-Baptiste Lemoyne.
Sarah Lees, Alfred Stevens and the arts of Asia.
Nicholas Sawicki, Ripolin, flags and wood: Picasso's 'Violin, wineglass, pipe and anchor' (1912) and its Cubist frame.
Anne Lyles, Constable at the Victoria and Albert Museum.
London, 2015. Cm. 30x23, pp. xxiv-69/152, figg. a col. e in nero n. t., br.
Griet Steyaert, The Ghent Altarpiece: new thoughts on its original display.
Richard Verdi, Rembrandt's Parable of the workers in the vineyard.
Katharine Fremantle, The theme of wise counsel in Amsterdam's former town hall.
Quentin Buvelot, A newly discovered letter to Arnold Houbraken on the life of Paulus Potter.
Sjarel Ex, A study by Vilhelm Hammershoi acquired by Museum Boijmans Van Beuningen, Rotterdam.
London, 2015. Cm. 31x24, pp. xxxvi-153/232, figg. a col. e in nero n. t., br.
Francesca Marini, A new drawing by Andrea Mantegna.
Heiko Damm, An unknown vasari drawing in Braunschweig.
Carmen C. Bambach, Barocci's cartoon for the "Madonna del popolo".
Veronica Maria White, Guercino's "Beggar holding a broken jug": a drawing from the Gennari inventory of 1719.
Andrew Hopkins, Palladio and Scamozzi drawings in England and their Talman marks.
Andrea Tomezzoli, From Venice to Newport: a painting by Giambettino Cignaroli lost and found.
Simon Watney, Iconoclasms.
London, 2015. Cm. 31x23, pp. xvi-233/304, figg. a col. e in nero n. t., br.
Arnauld Brejon de Lavergnée, Simon Vouet and the high altar of the Chapel Royal at Saint-Germain-en-Laye.
Marie-Anne Dupuy-Vachey, Fragonard's 'fantasy figures': prelude to a new understanding.
Yuriko Jackal-John K. Delaney and Michael Swicklik, 'Portrait of a woman with a book': a 'newly discovered fantasy figure' by Fragonard at the National Gallery of Art, Washington.
Narayan Khandekar-Sarah B. Kianovsky and Katherine Eremin, Delacroix's 'Bacchus and Ariadne'.
Corey Piper, Manet's 'Toreadors' in Alfred Stevens's 'Woman in the studio'.
Claudia Einecke, A Darwinian source for Odilon Redon's Plate XVIII from 'The Temptation of St Anthony'.
Richard Wrigley, Reassessing François-André Vincent.
London, 2015. Cm. 31x24, pp. xvi-305/384, figg. a col. e in nero n. t., br.
Edward Town, 'A fete at Bermondsey': an English landscape by Marcus Gheeraerts the Elder.
Tessa Murdoch, Power and plate: Sir Robert Walpole's silver.
Julius Bryant, Queen Caroline's Richmond Lodge by William Kent: an architectural model unlocked.
Mark Bills, Thomas Gainsborough and the landscape frescos at Schomberg House.
Margarita Cappock, Regrets: Francis Bacon, Lucian Freud and Jasper Johns.
Duncan Robinson, Reynolds's portraits.
London, 2015. Cm. 31x23, pp. xxviii-385/448, figg. a col. e in nero n. t., br.
Daniele Guernelli, A newly discovered illuminated manuscript by Jean Colombe and his workshop.
Maureen Cassidy-Geiger, 'Un Buste de Venus d'un Amethiste ancienne': discovering the Italian origins of an object in the Grunes Gewolbe in Dresden.
Stefano Pierguidi, The bronze and porphyry portrait of Pope Urban VIII by Gian Lorenzo Bernini and Tommaso Fedeli.
Martin Spies, Visiting John Lavery in Tangier: photographs from Lady de Grey's scrapbook.
Annette Schlagenhauff Robinson, Giorgio De Chirico in the 1930s: the case of an hidden female nude.
Maria Elena Versari, Fascist spoils: gifts to Mussolini.
London, 2015. Cm. 30x23, pp. xii-449/516, figg. a col. e in nero n. t., br.
Peter Lindfield, New Light on Chippendale at Hestercombe House.
Susan Owens, A note on Jonathan Richardson's working methods.
Alycen Mitchell and Barbara Pezzini, 'Blown into glittering by the popular breath': the relationship between George Romney's critical reputation and the art market.
Lucy Kent, Immortal mind: Christian Science and Ben Nicholson's work of the 1930s.
London, 2015. Cm. 31x28, pp. xvi-517/596, figg. a col. e in nero n. t., br.
Alexander Rostel, 'Una Pieta chon molte figure': Sandro Botticelli's altarpiece for the Florentine church of S. Paolino.
Maria Ruvoldt, Tommaso de' Cavalieri, formerly Orsini: Michelangelo's muse and Medici cousin.
Callum Reid, New documents concerning Annibale Carracci's 'Holy Family' in Melbourne.
Eva Struhal, A painting of 'St John the Evagelist' by Lorenzo Lippi in the former Collection du Séminaire, Quebec City.
Alessio Pasian, Giulio Carpioni's 'Flaying of Marsyas' from the Algarotti Collection.
Massimo Favilla e Ruggero Rugolo, A letter from Solimena: a patron and a date for his 'Dido receiving Aenas and Cupid disguised as Ascanius' in the National Gallery.
London, 2015. Cm. 31x23, pp. xxxii-597/668, figg. a col. e in nero n. t., br.
Philip McEvansoneva, Edward Burne-Jones, William Morris, Dante Gabriel Rossetti, Harry Ward and Illuminated manuscripts.
Timothy Wilcox, Laura and Harold Knight in the First World War.
Richard Verdi, Rembrandt and Cézanne.
Diana J. Kostyrko, René Gimpel's 'Diary of an Art Dealer'.
Wendy Baron, The sources of two late views of Venice by Sickert.
Giovanni Casini, Richard Hamilton at the Slade School of Fine Art (1948-51) and his 'abstract' paintings of the early 1950s.
London, 2015. Cm. 31x23, pp. xxxii-741/816, figg. 104 a col. e in nero n. t., br.
Francesco Rossi, Antonello (and Domenico) Gagini at Pietraperzia.
Bieke van der Mark, Four north German bronze lions from Bordesholm.
Fernando Loffredo, Giovanni Bandini's 'Venus' and 'Adonis' for the Sevillian house of Juan de Arguijo in a sonnet by Lope de Vega.
Susanna Zanuso, The 'Crucifixion' and the 'Last Supper': two bronzes by Francesco Brambilla for Milan Cathedral.
Gauvin Alexander Bailey, The fantastical Rococo altarpieces of Santiago de Surco, Peru.
Mark Stocker, 'Give Peace in Our Time, O Lord': W.T. Trethewey's Citizens' War Memorial in Christchurch, New Zealand.
Jeremy Lewison, Barbara Hepworth reconsidered.
London, 2015. Cm. 31x23, pp. xvi-817/892, figg. a col. e in nero n. t., br.
Dillian Gordon, A possible French source for the left wing of the Wilton Diptych.
Michael Hall, The crystal sceptre of the City of London.
Antonio Russo, Federico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation.
Matthew M. Reeve and Peter N. Lindfield, 'A Child of Strawberry': Thomas Barrett and Lee Priory, Kent.
Sam Bowker, Matisse and the khayamiya: an Egyptian curtain unveiled.
Susanna Avery-Quash, Sir Charles Eastlake and Conservation at the National Gallery, London.
London, The Burlington Magazine, 2017. Cm. 31x23, pagg. 180, numerose figg. n.t., brossura.
London, The Burlington Magazine, 2017. Cm. 31x24, pagg.84, illustyrazioni a cvol., brossura.
Sommario: Capron Emma, Simone Martini's last documented work. Wohl Alice Sedgwick, The Lisbon Bible annd the Trone of Portugal. Dal Pozzolo Enrico Maria, Montemezzano in Lancashire. Bora Giulio - Marani Carlo C:, Milan 1630: the festivities to celebrate the birth of Prince Balthasar of Spain and the invention by Leonardo da Vinci.
London, 2015. Cm. 31x23, pp. xx-80, figg. a col. e in nero n. t., br.
Andrea Bonavita, How Cardinal Agostino Trivulzio's collection of statues entered the Farnese collection.
Luisa Caporossi and Rossella Cavigli, Vasari at Venice: The "Suicide of Judas" at Arezzo, another addendum to the Corner ceiling.
Mathew Norman, Leighton's "A Dream": An early work comes to light.
James Norton, Bacon's beginnings.
Joseph Leo Koerner, The Ringstrasse at 150 years.
Nicholas Penny, Sculpture in the Ashmolean.
London, 2008. Cm. , pp. , figg. a col. e in nero n. t., br.
London, 2016. Cm. 31x23, pp. 20, ill. a col. e in nero n. t., br.
Vicente Lleo Canal, A Netherlandish polyptych of Spanish origin.
Iain Buchanan, 'The Four Winds': the house of the Antwerp print publisher Hieronymus Cock.
Edwin Buijsen, 'Foolish wisdom': Adriaen van de Venne and Frans Hals's 'Pekelharing'.
François Marandet, 'The anointing of Solomon' by Gerard de Lairesse discovered in the Cartwright Hall Art Gallery, Bradford.
Ada De Wit, New light on a staircase of 1699-1700 in Museum Boijmans Van Beuningen, Rotterdam.
Dennis P. Weller, Early arrivals in America: paintings attributed to Peter Paul Rubens and Anthony van Dyck.
Bridget Heal, Cranach 2015.
Esther van Duijn and Jan Piet Filedt Kok, The Restoration of Rembrandt's 'Night watch'.
Marco Chiarini, An 'Adoration of the Sheperds' by Taddeo Zuccari at Palazzo Pitti, Florence.
Furio Rinaldi, Denys Calvaert in Rome.
Mary Vaccaro, A newly identified drawing by Denis Calvaert in the Uffizi.
Duncan Thomson, Raeburn: a decade of experiment.
Ed Lilley, Edouard Manet's 'The roundhouse on the Paris-Sceaux railway'.