Paris, Hazan, 2006. Cm. 30x23, pp. 263, tavv. e ill. a col. n. t., br.
Catalogo della mostra tenutasi a Parigi nel 2006-2007.
Liverpool, 1969. In-8¡, pp. 95, tavv. 97 in nero n. t., br.
Catalogo della mostra tenutasi a Liverpool nella Walker Art Gallery nei mesi di marzo e aprile 1969.
Riviste: no
New Haven and London, 2013. Cm. 32x25, pp. xiii-688, figg. a col. n. t., cart.
Catalogo della mostra tenutasi a New York nel 2013-2014.
The most versatile British designer of the 18th century, William Kent (1685–1748) created a style for a new nation and monarchy. The scope of his achievements encompasses architecture, palatial interiors, elaborate gardens, and exquisite furniture. Among his creative innovations are bold combinations of elements from Palladian, rococo, and gothic design, anticipating the intermingling of architectural styles we see today. William Kent: Designing Georgian Britain is the first comprehensive exploration of this important designer and his extraordinary creations. An international team of the foremost experts in the field examines the entire spectrum of Kent’s oeuvre, including the interiors at Kensington Palace and Houghton Hall. Essays illuminate issues about the authorship of Kent’s furniture and metalwork, situate his contributions in relation to architectural discourse, and classify the characteristics of his designs. Copiously illustrated, including many stunning new photographs, this handsome volume celebrates the work and career of one of the most influential figures in the history of architecture and design
Il volume costituisce catalogo della mostra, nella versione in lingua italiana, che dopo Washington e Boston è approdata a Venezia alla Galleria Internazionale d'Arte Moderna di Ca' Pesaro.
New York, 1995. In-4?, pp. 143, tavv. e ill. a col. e in nero n. t., tela e sovrac.
Riviste: no
Boston, 2016. Cm. 24x19, pp. 84, figg. a col. n. t., br.
Praised for his jewel-like landscapes, urban park scenes, and sympathetic images of women, William Merritt Chase was a leading American Impressionist painter and an influential teacher in the late nineteenth century. Chase left his modest Indiana boyhood home to study at the Munich Academy, where he fell in love with the old masters and set out to celebrate the people and places of his own time. His New York studio became a stage set for his imagination: there, Chase brought objects from around the world together in harmonious arrangements of color and form, dazzling his subjects and patrons with both his paintings and his artistic persona. This beautifully illustrated volume provides a compact introduction to Chase’s paintings and pastels, sampling several of his favorite motifs—the theatrical environment of his antiques-filled studio, the modern women he celebrated, the costumes and decorative arts of Japan, children at play in city and countryside, and thoughtful moments of leisure and contemplation.
New York, 2000. In-8¡, pp. 192, tavv. 54 a col. e figg. 70 in nero n. t., tela e sovrac.
Catalogo della mostra tenutasi a New York nel 2000.
Riviste: no
London, 1996. In-8¡, pp. 384, tavv. e ill. a col. e in nero n. t., tela e sovrac.
Catalogo della mostra tenutasi a Londra dal 9 maggio al 1 settembre 1996.
Riviste: no
London, 1994. In-8¡, pp. xix-780, ill. 123 in nero f.t., tela e sovrac.
Riviste: no
New Haven and London, Yale University Press, 2011. Cm. 29x27, pp. 672, cent. di ill. a col. e in nero n. t., cart.
Il volume presenta il catalogo completo dei dipinti di William Nicholson, uno dei più importanti pittori inglesi della prima metà del XX secolo. I dipinti censiti sono ottocentosessantacinque. Per ciascuno di essi è stata redatta una breve scheda critica, corredata da un completo apparato filologico. In appendice sono riportati l'elenco delle opere non rintracciate citate dalle fonti, la rassegna completa delle esposizioni dell'artista, la bibliografia e l'indice dei nomi.
London, 1998. In-8¡, pp. 40, ill. a col. e in nero n. t., br.
Catalogo della mostra tenutasi a Mayfair (Londra) nel 1998.
Riviste: no
Bolsena, 2004. In-8¡, pp. 96, ill. a col. e in nero n. t., br.
Riviste: no