Products tagged with 'SETTECENTO'
Watercolour. Edited by Alison Smith.
London, Tate Publishing, 2011. Cm. 26x21, pp. 207, ill. 145 a col. e figg. 22 a col. n. t., br.
Catalogo della mostra tenutasi a Londra nel 2011.
This book explores the art of watercolour from its beginnings in medieval illuminated manuscripts, cartography and early botanical illustration, through the Golden Age of British watercolour and the radical experiments of the SYmbolists, right up to its rediscovery by cotemporary artist such as Tracey Ermin and Anish Kapoor today. While it includes classic works by famous names including J.M.W. Turner, William Blake, Thomas Girtin and Samuel Palmer, it also features many less familiar figures, raising questions about British art and identity as well as examining the techniques and processes involved in watercolour itself.
Watercolours and Drawings from the Collection of Queen Elizabeth The Queen Mother.
Catalogo della mostra tenutasi a Londra nel 2005.
Riviste: no
Watermarks: Leonardo da Vinci and the Mastery of Nature
Watteau and his world. French drawing from 1700 to 1750.
London, 1999. In-8¡, pp. 268, ill. 78 a col. e figg. 78 in nero n. t., tela e sovrac.
Catalogo della mostra tenutasi a New York nel 1999-2000.
Riviste: no
Watteau and the Cultural Politics of Eighteenth-Century France.
Cambridge, 2000. In-8¡, pp. xii-260, figg. 70 in nero n. t., tela e sovrac.
Riviste: no
Watteau et la fete galante.
Paris, 2004. In-8¡, pp. 296, tavv. a col. e figg. a col. e in nero n. t., br.
Catalogo della mostra tenutasi a Valenciennes nel 2004.
Riviste: no
Watteau the Drawings. With a contribution by Martin Eidelberg.
Watteau(1684-1721). Commissaires Margaret Morgan Grasselli.
Watteau, 1684-1721.
Washington, 1984. In-8¡, pp. 58, figg. a col. e in nero n. t., br.
Catalogo della mostra tenutasi a Washington nel 1984.
Riviste: no
Watteau.
Milano, 2002. In-8¡, pp. 150, ill. a col. e in nero n. t., tela e sovrac.
Watteau. Le Vite antiche.
Bologna, 1991. In-8¡, pp. 159, br.
Riviste: no
We. Collana "Visions of Africa"
Wealth and the demand for art in Italy, 1300-1600.
Baltimore and London, 1993. In-8¡, pp.266, cart. e sovrac.
Riviste: no
Weaving Sacred Stories. French Choir Tapestries and the Performance of Clerical Identity.
Ithaca and London, 2004. In-8¡, pp. 246, tavv. 16 a col. e figg. 61 in nero n. t., tela e sovrac.
WEAVING, VEILING, AND DRESSING. Textiles and their Metaphors in the Late Middle Ages.
Turnhout, 2007. In-8¡, pp. xx-361, figg. 301 in nero n. t., tela.
Wedgwood. The new illustrated dictionary.
Woodbridge, 1995. In-8¡, pp. 515, ill. a col. e in nero n. t., tela e sovrac.
Wedgwood: A Story of Creation & Innovation. Edited by Ian Luna.
Weekend a Firenze
Welfenschutze. Gesammelt, Verkauft, Durch Museen Bewahrt.
Petersberg, 2007. In-8¡, pp. 108, tavv. e ill. a col. n. t., cart.
Catalogo della mostra tenutasi a Braunschweig nel 2007
Wellington portrayed. With a Foreword by David Cannadine.
London, 2014. Cm. 30x26, pp. 239, tavv. e ill. a col. n. t., tela e sovrac.
The volume is a much extended and augmented, freshly researched version in colour of the Iconography of the First Duke of Wellington by Gerald Wellesley, 7th Duke of Wellington, the author's grandfather. Published in 1935, The Iconography has been the prime source for anyone wanting to know about a portrait or sculpture of the 1st Duke. The book opens with an essay by David Cannadine which describes the background to Wellington's illustrious career as soldier, politician and statesman. This is followed by a copiously illustrated account of the Duke's portraits. The book concludes with a full illustrated catalogue, including many portraits in the Family Collection.
Wellington. Triumphs, Politics and Passions. With a foreword by William Hague.
Wells of Wonders. New Discoveries at Cetamura del Chianti. Editor Nancy T. de Grummond.
Firenze, 2017. Cm. 28x21, pp. 439, ill. a col. e in nero n. t., br.
Catalogo della mostra: Firenze, Museo Archeologico Nazionale, 2017.
Gli insediamenti di Cetamura, nella località Gaiole in Chianti, sono stati oggetto di scavo fin dal 1973 da parte della Florida State University.
Negli ultimi anni (2011-2016) in collaborazione con la società archeologica italiana Ichnos, sono state fatte molte scoperte, in particolare il pozzo etrusco a Cetamura del Chianti si è rivelato una cornucopia di reperti che coprono un periodo lungo più di 15 secoli che parte dall’epoca etrusca per arrivare al Medioevo passando per l’epoca romana.
Volume in lingua inglese.
Welt im Zwielicht. Das Werk des Bildhauers Ludwig Munstermann.
Weltenglanz. Der Mathematisch-Physikalische Salon Dresden zu Gast im Maximilianmuseum Augsburg.
Berlin-Munchen, 2009. Cm. 25x21, pp. 264, ill. a col. e in nero n. t., br.
Catalogo della mostra tenutasi a Augsburg nel 2009-2010.Si espongono, nell'occasione, 80 pezzi di notevole pregio scelti all'interno delle collezioni di strumenti scientifici e di precisione oggi conservate nel Mathematisch-Physikalische Salon degli Staatliche Kunstsammlung di Dresda e nel Maximilianmuseum di Augsburg.
