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Wonder and irony with Henry James and Mark Twain in the Venice Ducal Palace

Autor: ZORZI MAMOLI, Rosella
Venezia, Supernova, 2018. Cm. 15x21, pag. 67, fig. a col, br.
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Wonders and the Order of Nature.

Writers: DASTON, Lorraine , PARK, Katharine.

New York, 1998. In-8¡, pp. 511, figg. in nero n. t., tela e sovrac.

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Wood. The World of Woodwork and Carving.

Autor: SENTANCE, Bryan.
London, 2003. Cm. , pp. 208, ill. 815 a col. e in nero n. t., tela e sovrac.
€50,00 €25,00
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Woodcarving and Woodcarvers in Venice 1350-1550.

Autor: SCHULZ, Anne Markham.
Firenze, Centro Di, 2011. Cm. 28x24, pp. 614, ill. 20 a col. e 300 in nero n. t., tela.

This book is the first synthetic treatment of Venetian woodcarving and woodcarvers. It opens with an introduction covering all aspects of the subjet - materials, techniques, patronage, genres, and style, as well as social history of the profession in late Medieval and Renaissance Venice. There follows a biographical dictionary of nearly 600 woodcarvers, largely based on unpublished archival documents, the most interesting of which are transcribed in entirety.
The catalogue focuses on 13 works of particular interest in and outside of Venice.

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Wooden architecture of Russia. Houses, fortifications, churches.

New York, 1989. In-8¡, pp. 256, tavv. 41 a col. e figg. 262 in nero n.t., tela e sovrac.

Riviste: no
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Woodner Collection. Master drawings.


New York, 1990. In-4?, pp. 382, tavv. a col. e figg. in nero n.t., br.

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Word and Image. An Introduction to Early Medieval Art.

Autor: DIEBOLD, William J.
Boulder, 2000. Cm. , pp. xi-160, tavv. 4 a col. f. t. e figg. 63 in nero n. t., br.
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Word, Image, Number. Communication in the Middle Ages.


Tavarnuzze, 2002. In-8¡, pp. 457, tavv. 35 in nero f. t., br.

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Words & Wisdom.

Autor: MORRIS, William.

London, 2014. Cm. 19x17, pp. , ill. a col. e in nero n. t., br.

William Morris (1834-1896) was a radical thinker whos democratic vision for society and art has continued to influence designers, artists and writers to this day, long afterhis death. He was a gifted poet, architect, painter, writer and textile designer, who also founded the Kelmscott Press, the most famous of the Arts and Crafts private presses. Drawing on Morris's own extensive writings, and illustrated with vivid images of the man himself, as well as his iconic textiles and wallpapers, the volume explores his passionately held view that fine, functional design should be accessible to all. Alongside his own words are the reflections of Morris's friends, family and those who later found inspiration in his life and work, among them C.R. Ashbee, Edward Burne-Jones, Terence Conran, George Eliot, Eric Gill, Aldous Huxley, George Bernard Shaw and oscar Wilde, who together provide some fascinating insights into the personality and significance of William Morris in his life-long attempt to transform the world with beuty.

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Words and Wisdom.

Autor: MORRIS, William.

London, 2014. Cm. 19x17, pp. , figg. a col. e in nero n. t., br.

Drawing on Morris's own extensive writings, and illustrated


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Words for pictures. Seven Papers on Renaissance Art and Criticism.

Autor: BAXANDALL, Michael.

New Haven and London, 2003. In-8¡, pp. xi-169, ill. 25 a col. f. t. e figg. in nero n. t., tela e sovrac.

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Working in the Vineyard of the Lord: Jesuit Confraternities in Early Modern Italy.

Autor: LAZAR, Lance Gabriel.

Toronto Buffalo London, 2005. In-8¡, pp. xv-377, ill. 13 in nero f. t., tela e sovrac.

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WORLD ANTIQUARIANISM. COMPARATIVE PERSPECTIVES. Edited by Alain Schnapp. With: Lothar von Falkenhausen, Peter N. Miller, and Tim Murray.

Los Angeles, Getty, 2013. Cm. 25x18, pp. viii-456, tavv. 21 a col. e figg. in nero n. t., br.
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World Dress, Fashion in Detail.

Autor: CRILL, Rosemary
London, 2009. In-8¡, pp. 224, tavv. a col. e figg. in nero n. t., br.

Riviste: no
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World Textiles. A concise History.

Autor: SCHOESER, Mary.

London, 2003. In-8¡, pp. 224, ill. 210 a col. e in nero n. t., br.


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World's Fairs Italian Style. The Great Exhibitions in Turin and Their Narratives, 1860-1915.

Autor: DELLA COLETTA, Cristina.

Toronto, 2006. In-8¡, pp. x-351, figg. in nero n. t., tela e sovrac.

Riviste: no

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Worldview in Painting-Art and Society. Selected Papers.

Autor: SCHAPIRO, Meyer.

New York, 1999. In-8¡, pp. 256, figg. in nero n. t., tela e sovrac.

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Worpswede. I postimpressionisti tedeschi e la pittura di paesaggio.

Autor: RILKE, Rainer Maria.

Milano, 1998. In-8¡, pp. xliii-125, br. e sovrac.

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Woven Gold. Tapestries of Louis XIV.

Autor: BREMER-DAVID, Charissa.

Los Angeles, 2015. Cm. 29x31, pp. xi-156, tavv. e ill. a col. e in nero n. t., tela e sovrac.

Catalogo della mostra: Los Angeles, Getty Museum, 2015-2016.

Meticulously woven by hand with wool, silk, and gilt-metal thread, the tapestry collection of the Sun King, Louis XIV of France, represents the highest achievements of the art form. Intended to enhance the king’s reputation by visualizing his manifest glory and to promote the kingdom’s nascent mercantile economy, the royal collection of tapestries included antique and contemporary sets that followed the designs of the greatest artists of the Renaissance and Baroque periods, including Raphael, Giulio Romano, Rubens, Vouet, and Le Brun. Ranging in date from about 1540 to 1715 and coming from weaving workshops across northern Europe, these remarkable works portray scenes from the bible, history, and mythology. As treasured textiles, the works were traditionally displayed in the royal palaces when the court was in residence and in public on special occasions and feast days. They are still little known, even in France, as they are mostly reserved for the decoration of elite state residences and ministerial offices.
This catalogue accompanies an exhibition of fourteen marvelous examples of the former royal collection that will be displayed exclusively at the J. Paul Getty Museum at the Getty Center. Lavishly illustrated, the volume presents for the first time in English the latest scholarship of the foremost authorities working in the field.


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Woven Splendour: The Tapestries at the Conventual Church of the Knights of Malta.

Autor: DE GIORGIO, Cynthia
Valletta, Midsea Books, 2017. Cm. 27x23, pag. 144, fig. a col, cart.
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Writers in the Italian Renaissance.

Autor: ROSPIGLIOSI, William.

London, 1978. In-8¡, pp. 242, tela e sovrac.

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Writing for art. The aesthetics of Ekphrasis.

Autor: CHECKE, Stephen.
Manchester and New York, Manchester University Press, 2010. Cm. 23x16, pp. xii-203, figg. 14 in nero n. t., br. The book reflects an increasing interest among writersand scholars over recent years in the relation of literary texts to the visual or plastic arts. This study is the first concise introduction to the history and theory of ekphrasis written to appeal both the non-specialist and specialist reader. It also offers a useful general survey of the larger philosophical and theoretical question arising from the encounter from literary works and artworks.
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Writing History in Renaissance Italy. Leonardo Bruni and the Uses of the Past.

Autor: IANZITI, Gary.

Cambridge (Mass.)-London, Harvard University Press, 2012. Cm. 24x16, pp. xiii-418, cart. e sovrac.

Collana: I Tatti Studies in Italian Renaissance History.

The study is the first to assess in detail the impact of the classical Greek historians on the development of humanist methods of historical writing. The author constantly monitors Bruni's position within the shifting hierarchies of power in Florence, drawing connections between his various historical works and the political uses they were meant to serve.

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